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I've been extremely lucky in my career, in terms of artists and colorists I've been able to work wi
I've been extremely lucky in my career, in terms of artists and colorists I've been able to work wi
I've been extremely lucky in my career, in terms of artists and colorists I've been able to work wi
I've been extremely lucky in my career, in terms of artists and colorists I've been able to work wi
I've been extremely lucky in my career, in terms of artists and colorists I've been able to work wi
I've been extremely lucky in my career, in terms of artists and colorists I've been able to work wi
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Cullen Bunn:
I've been writing stories, in one form or another, since I was a kid.Cullen Bunn:
I always wanted to tell stories. Well, at least, I always came back to the notion of storytelling wCullen Bunn:
When I first started submitting my work professionally - and we're talking years and years ago - ITom Rachman:
When I left Toronto and entered journalism in the late 1990s, I had many notions about the news busTom Rachman:
I had pictured journalism as I'd seen it in the most ennobling films, where the reporter battles foTom Rachman:
My own career started in New York at the 'Associated Press', a fast-paced news agency where we rareTom Rachman:
That's a paradox I've noticed, too: The news business held little romance for me, yet writing aboutTom Rachman:
My parents used to rent old movies - my whole childhood is in black and white - and it was my dreamTom Rachman:
I went to the University of Toronto to study the history and theory of film, in the back of my mindTom Rachman:
The strength of fiction is not in reading about yourself, but in reading about other people.