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My father cared about the world he lived in, and so he admitted his confusion about his place in Am
My father cared about the world he lived in, and so he admitted his confusion about his place in Am
My father cared about the world he lived in, and so he admitted his confusion about his place in Am
My father cared about the world he lived in, and so he admitted his confusion about his place in Am
My father cared about the world he lived in, and so he admitted his confusion about his place in Am
My father cared about the world he lived in, and so he admitted his confusion about his place in Am
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Walter Mosley:
When I went to school, there were no Black philosophers, at least none that I was aware of, who werWalter Mosley:
My father always taught by telling stories about his experiences. His lessons were about morality aWalter Mosley:
All of the philosophers I studied were white (with a few Eastern exceptions), and, for that matter,Walter Murch:
Film editing is now something almost everyone can do at a simple level and enjoy it, but to take itWalter Murch:
I think every age has a medium that talks to it more eloquently than the others. In the 19th centurWalter Murch:
This applies to many film jobs, not just editing: half the job is doing the job, and the other halfWalter Murch:
When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene,Walter Murch:
You can always make a film somehow. You can beg, borrow, steal the equipment, use credit cards, useWalter Murch:
The word processor is a better tool than a quill pen because you can do so much more with it, but oWalter Murch:
'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've b