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My work is not about paint. It's about paint at the service of something else. It is not about gooe
My work is not about paint. It's about paint at the service of something else. It is not about gooe
My work is not about paint. It's about paint at the service of something else. It is not about gooe
My work is not about paint. It's about paint at the service of something else. It is not about gooe
My work is not about paint. It's about paint at the service of something else. It is not about gooe
My work is not about paint. It's about paint at the service of something else. It is not about gooe
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Kehinde Wiley:
There's something to be said about the art-industrial complex, the collectors who recognize that yoKehinde Wiley:
I rarely meet a lot of the people who buy and collect my work.Kehinde Wiley:
I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm worKehinde Wiley:
The games I'm playing have much more to do with using the language of power and the vocabulary of pKehinde Wiley:
What you have in my work is one person's path as he travels through the world, and there is no limiKehinde Wiley:
My work is a contemporary call to arms. It is time to get our mojo back. To rediscover our true norKehinde Wiley:
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop cuKehinde Wiley:
The whole conversation of my work has to do with power and who has it.Kehinde Wiley:
By and large, most of the work that we see in the great museums throughout the world are populatedKehinde Wiley:
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the perfor