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Right now my career is totally schizophrenic, because when an American production like Hitchcock Pr
Right now my career is totally schizophrenic, because when an American production like Hitchcock Pr
Right now my career is totally schizophrenic, because when an American production like Hitchcock Pr
Right now my career is totally schizophrenic, because when an American production like Hitchcock Pr
Right now my career is totally schizophrenic, because when an American production like Hitchcock Pr
Right now my career is totally schizophrenic, because when an American production like Hitchcock Pr
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Atom Egoyan:
I think if you look at the themes that are presented in the film, some are inherently social, and IAtom Egoyan:
When you're working with a smaller budget I suppose one of the things that has to be in your mind wAtom Egoyan:
I suppose I had these concerns but I really felt that I had to keep my scope very, very concentrateAtom Egoyan:
Working on the themes I was interested in, through the context of a particular family, was a very eAtom Egoyan:
As a producer, I think one of the most important decisions you make is not necessarily the materialAtom Egoyan:
I wanted to make sure that the environment of the shooting itself was not that controlled, and theAtom Egoyan:
Once we were in the studio, we realized we were getting certain effects through the shooting of theAtom Egoyan:
I think the situation in Toronto is such that there are funding organizations which make it easy foAtom Egoyan:
There is a certain moment in the film when the son is in the nursing home and he goes to the televiAtom Egoyan:
It is about this very abstract sense of displacement that he feels the moment he turns off the tele