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The argument we always used to use was that keeping records in the catalog was good for people that
The argument we always used to use was that keeping records in the catalog was good for people that
The argument we always used to use was that keeping records in the catalog was good for people that
The argument we always used to use was that keeping records in the catalog was good for people that
The argument we always used to use was that keeping records in the catalog was good for people that
The argument we always used to use was that keeping records in the catalog was good for people that
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Evan Parker:
It's not like, I don't know, if Madonna has a new record out, then everybody from Bangkok to BirminEvan Parker:
I think the solo playing, the decision to start playing solo, came out of having discovered what laEvan Parker:
I think the voice does that perfectly adequately without being imitated by other instruments.Evan Parker:
So I'm looking to the saxophone as a resource which has its own unique set of possibilities. I'm loEvan Parker:
I've been to the studio several times, and it's not that I'm not happy with what I've got, but eachEvan Parker:
But I think the record will actually come from tapes that are not yet recorded.Evan Parker:
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I aEvan Parker:
You know, the whole philosophy of ad hoc combinations has its strengths and its weaknesses.Evan Parker:
To speak about notation as the only way that you can guarantee structure of course is already veryEvan Parker:
Certain kinds of speed, flow, intensity, density of attacks, density of interaction... Music that c