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The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture
The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture
The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture
The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture
The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture
The truth is, you have about three paragraphs in a short story, three pages in a novel, to capture
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Nancy Kress:
Every story makes a promise to the reader. Actually, two promises, one emotional and one intellectuNancy Kress:
As a writer, you must know what promise your story or novel makes. Your reader will know.Nancy Kress:
Your opening should give the reader a person to focus on. In a short story, this person should turnNancy Kress:
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things mNancy Kress:
Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a loNancy Kress:
Conflict drives fiction; no one wants to read a four-hundred-page novel in which everything rolls aNancy Kress:
If you consistently write 'The sun set' rather than 'The sun sank slowly in the bright western sky,Nancy Kress:
How many times have you opened a book, read the first few sentences and made a snap decision aboutNancy Kress:
Questions that require answers are what keep readers going - and the place to start raising those qNancy Kress:
The most-asked question when someone describes a novel, movie or short story to a friend probably i