Time is the main subject for any musicians, music writers, composers.

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• Ryuichi Sakamoto:

  Time in our universe is always one way: no going back, no reverse. In music, you can reverse it!

• Ryuichi Sakamoto:

  I was aware of that theme of mortality in my music since around 2009. The decaying and the disappea

• Ryuichi Sakamoto:

  Asian music influenced Debussy, who influenced me - it's all a huge circle.

• Ryuichi Sakamoto:

  I was working with the computer at university and playing jazz in the daytime, buying west-coast ps

• Ryuichi Sakamoto:

  I have a longing for violin or organ. Is it too simple to say those sustaining sounds symbolise imm

• Ryuichi Sakamoto:

  We musicians often get inspiration from films and books or photographs, not only by music.

• Ryuichi Sakamoto:

  I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians ar

• Ryuichi Sakamoto:

  Each time I work on a film, I say to myself, 'This is it. This is the end.' Because it is so stress

• Ryuichi Sakamoto:

  It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspi

• Ryuichi Sakamoto:

  Ever since I was 18 or 19, I've wanted to question the sound, tones, and scale associated with the