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Well, I'm a daughter of the great migration as, really, the majority of African Americans that you
Well, I'm a daughter of the great migration as, really, the majority of African Americans that you
Well, I'm a daughter of the great migration as, really, the majority of African Americans that you
Well, I'm a daughter of the great migration as, really, the majority of African Americans that you
Well, I'm a daughter of the great migration as, really, the majority of African Americans that you
Well, I'm a daughter of the great migration as, really, the majority of African Americans that you
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Isabel Wilkerson:
There are certain things that we take for granted that simply would not have existed without the grIsabel Wilkerson:
Many immigrants do not talk about what they endured back home. They were fleeing that world, and whIsabel Wilkerson:
What I love about the stories of the Great Migration is that this is not ancient history; this is lIsabel Wilkerson:
America is made up of people who came from someplace else. Even the Native Americans came over theIsabel Wilkerson:
People leave when life becomes untenable where they are.Isom Innis:
Our songs, we construct them and deconstruct them so much, we kind of forget exactly what we contriIsom Innis:
On 'Sid & Nancy,' it was originally this atonal kind of beat that you hear in the verses, like an aIsom Innis:
I lived in Boston for four or five years and would commute to New York to play gigs. New York CityIsom Innis:
2000's 'Donuts,' J Dilla - that's like the manual of hip hop production.Isom Innis:
Growing up playing the drums, I idolised Questlove from an early age. 'Phrenology' was the first Ro