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Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude
Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude
Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude
Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude
Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude
Jazz in itself is not struggling. That is, the music itself is not struggling... It's the attitude
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August Wilson:
For me, the original play becomes an historical document: This is where I was when I wrote it, andAugust Wilson:
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930sAugust Wilson:
I think all in all, one thing a lot of plays seem to be saying is that we need to, as black AmericaAugust Wilson:
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myseAugust Wilson:
I don't write for a particular audience.August Wilson:
I write for myself, and my goal is bringing that world and that experience of black Americans to liAugust Wilson:
I've never seen 'Seinfeld', never seen 'The Cosby Show'; I just don't watch it. I saw half of 'OpraAugust Wilson:
My hero when I was 14 was Sonny Liston. No matter what kinds of problems you were having with yourAugust Wilson:
A novelist writes a novel, and people read it. But reading is a solitary act. While it may elicit aAugust Wilson:
My influences have been what I call my four Bs - the primary one being the blues, then Borges, Bara