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So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the
So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the
So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the
So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the
So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the
So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the
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Evan Parker:
I think the whole question of meaning in music is difficult enough even if you hear me playing liveEvan Parker:
Those early steps are very important in understanding the evolution. But in themselves, maybe now yEvan Parker:
The argument we always used to use was that keeping records in the catalog was good for people thatEvan Parker:
It's not like, I don't know, if Madonna has a new record out, then everybody from Bangkok to BirminEvan Parker:
I think the solo playing, the decision to start playing solo, came out of having discovered what laEvan Parker:
I think the voice does that perfectly adequately without being imitated by other instruments.Evan Parker:
So I'm looking to the saxophone as a resource which has its own unique set of possibilities. I'm loEvan Parker:
I've been to the studio several times, and it's not that I'm not happy with what I've got, but eachEvan Parker:
But I think the record will actually come from tapes that are not yet recorded.Evan Parker:
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I a