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The process, not the results, have to be the reason a writer writes. Otherwise, creating a four-hun
The process, not the results, have to be the reason a writer writes. Otherwise, creating a four-hun
The process, not the results, have to be the reason a writer writes. Otherwise, creating a four-hun
The process, not the results, have to be the reason a writer writes. Otherwise, creating a four-hun
The process, not the results, have to be the reason a writer writes. Otherwise, creating a four-hun
The process, not the results, have to be the reason a writer writes. Otherwise, creating a four-hun
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Nancy Kress:
Without coffee, nothing gets written. Period.Nancy Kress:
When a story is flying along, and I'm so into it that my 'real' world goes away, it can feel magicaNancy Kress:
The truth is, you have about three paragraphs in a short story, three pages in a novel, to captureNancy Kress:
Every story makes a promise to the reader. Actually, two promises, one emotional and one intellectuNancy Kress:
As a writer, you must know what promise your story or novel makes. Your reader will know.Nancy Kress:
Your opening should give the reader a person to focus on. In a short story, this person should turnNancy Kress:
If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things mNancy Kress:
Pace, like everything else in writing, involves a trade-off. If you're not offering the reader a loNancy Kress:
Conflict drives fiction; no one wants to read a four-hundred-page novel in which everything rolls aNancy Kress:
If you consistently write 'The sun set' rather than 'The sun sank slowly in the bright western sky,